Ravel’s “Bolero”

Maurice Ravel

French composer Maurice Ravel (1875-1937) is famous for many works: the opera Daphnis Et Chloé; the poignant and beautiful Pavane Pour Une Infante Défunte; the virtuosic piano piece Gaspard De La Nuit; and the jazzy Piano Concerto In G Major for piano and orchestra. His most famous piece, though, arguably is Bolero. It is used to powerful effect in the seductive movie 10.

You may know that Maurice Ravel orchestrated Pictures at an Exhibition. Both he and Debussy, the two pre-eminent French impressionist composers, were fascinated with the music of Spain. A bolero is a Spanish dance, sometimes performed by a soloist and sometimes by a couple. While Ravel’s Bolero was originally composed to be a ballet, these days audiences frequently hear it performed as a part of an orchestra concert.

The form of the piece is exceedingly simple: two characteristic dance themes alternate repeatedly with no melodic or even harmonic variation a total of eighteen times! The bolero rhythm heard played very softly at the beginning on the snare drum, continues throughout the entire piece. The effect is hypnotic. Only the orchestration—and Ravel was a master orchestrator—changes during the entire 16-minute piece.

The performance here is by Berlin Philharmonic Orchestra, directed by Herbert von Karajan (427 250-2 Deutsche Grammophon).

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Edward Wolfe

Edward Wolfe has been a fan of Christian apologetics since his teenage years, when he began seriously to question the truth of the Bible and the reality of Jesus. About twenty years ago, he started noticing that Christian evidences roughly fell into five categories, the five featured on this website.
Although much of his professional life has been in Christian circles (12 years on the faculties of Pacific Christian College, now a part of Hope International University, and Manhattan Christian College and also 12 years at First Christian Church of Tempe), much of his professional life has been in public institutions (4 years at the University of Colorado and 19 years at Tempe Preparatory Academy).
His formal academic preparation has been in the field of music. His bachelor degree was in Church Music with a minor in Bible where he studied with Roger Koerner, Sue Magnusson, Russel Squire, and John Rowe; his master’s was in Choral Conducting where he studied with Howard Swan, Gordon Paine, and Roger Ardrey; and his doctorate was in Piano Performance, Pedagogy, and Literature, where he also studied group dynamics, humanistic psychology, and Gestalt theory with Guy Duckworth.
He and his wife Louise have four grown children and six grandchildren.

https://WolfeMusicEd.com
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